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Cailin L
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Replied May 19
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IBY2- don't forget to edit this discussion or create a new one. You have ALOT due this week and I don't want you to fall behind! I can't give you an extension because I need to know you are SET TO GO with your work before I leave!
Group -
Right now the idea is too complex and the story arc is too vague. You ask too many questions and answer none of them. What is dystopian about the society? How is that representative of China? How can you represent this dystopia? What are s...
I thought Cailin's analysis was very well done, she seemed to touch upon all points and definitely studied the scene. She touched upon very specific points such as what the shadows on the face indicated, how the cuts were used and associated key p...
Here's the general outline we did in class - Megin and Eugene feel free to elaborate.
Exposition: knock – Noah’s brother gives him a map (nametags) – then is taken away – fade – radio playing
Rising Action: clues that he’s being followed as he se...
OPEN: Guy putting an “X” on a large map of Shanghai. Three circles are “unexplored”. Reveal to room, with “luck charms” throughout – rabbits feet, numbers, cereal boxes, etc. There is a radio on a desk in the corner. He goes to it and turns it on ...
Good details, but could use more analysis of specific features (lighting, color choice, etc.)
Wow, Eugene this is a very thorough analysis! I need to watch this movie. Just a couple things I noticed:
-I think you meant "non-diegetic," not "non-diuretic" (that means "causing increased passing of urine") :)
-While you did an effective job no...
This week I watched Christine Jeffrey’s Sunshine Cleaning, a rather mainstream film starring Amy Adams and Emily Blunt. While the film was touching and well crafted, it was not as easy for me to pinpoint a central scene. However, I have chosen the...
Comment Wall (5 comments)
- At 7:39pm on September 27, 2009,
megin peake said…
- well cailin, i don't know what YOU have been doing to help out the studentfilm community but i've already welcomed one friend as well as be-friended two more additional members.
take care,
cheers
megin peake :-)
- At 11:51am on August 30, 2009,
megin peake said…
- I LOVE STUDENT FILMS!
it makes me feel like we have our own new secret world of facebook.
only for film makers YAY :-D
- At 8:49pm on May 4, 2009,
megin peake said…
- Oh hi there friend,
Welcome to SF ;-)
- At 2:24pm on February 24, 2009,
David said…
- http://www.fathom.com/course/10701053/session3.html
- At 2:46pm on November 26, 2008,
kw said… - uhAv3NoLiF3jkfOOl
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Cailin L's Blog
The Darjeeling Limited Film Analysis
1. Camera Angles
Wes Anderson effectively used a variety of angles to draw the audience into the film. One of the most effective and noticeable angle changes was when the brothers are first meeting on the train. The angle changes based on whoever is perceiving the scene or talking in the scene (camera where Francis should be when he is talking to his brothers, then switches to brothers watching Francis talk).
2. Use of Foreground
In the scene where the brothers are speaking with t… Continue
Wes Anderson effectively used a variety of angles to draw the audience into the film. One of the most effective and noticeable angle changes was when the brothers are first meeting on the train. The angle changes based on whoever is perceiving the scene or talking in the scene (camera where Francis should be when he is talking to his brothers, then switches to brothers watching Francis talk).
2. Use of Foreground
In the scene where the brothers are speaking with t… Continue
Posted on October 27, 2008 at 9:30pm —
Do the Right Thing Film Analysis
Cailin Lowry
IB Film - F
1. Color Choices & 2. Use of “Stage” to Set Film
The opening five minutes foreshadowed the major conflict of the film. The first scene depicted Tina (Rosie Perez) dancing on what appeared to be a stage made to look like Brooklyn. The lights on the “stage” were mostly red with flashes of white in between – colors the represented anger and frustration, two major feelings affiliated with the film. In addition, the opening scene conveyed a sense of artificiality… Continue
IB Film - F
1. Color Choices & 2. Use of “Stage” to Set Film
The opening five minutes foreshadowed the major conflict of the film. The first scene depicted Tina (Rosie Perez) dancing on what appeared to be a stage made to look like Brooklyn. The lights on the “stage” were mostly red with flashes of white in between – colors the represented anger and frustration, two major feelings affiliated with the film. In addition, the opening scene conveyed a sense of artificiality… Continue
Posted on October 20, 2008 at 5:50pm —
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Latest Activity
IBY2- don't forget to edit this discussion or create a new one. You have ALOT due this week and I don't want you to fall behind! I can't give you an extension because I need to know you are SET TO GO with your work before I leave!
You're probably thinking "where is Joe's analysis?".
Well, there's no way for me to exclude the tardiness on this work other than that i am a lazy bum and never get my work done :) Anyways, here it is.
I chose to analyse the scene where the expla...
Group -
Right now the idea is too complex and the story arc is too vague. You ask too many questions and answer none of them. What is dystopian about the society? How is that representative of China? How can you represent this dystopia? What are s...
I thought Cailin's analysis was very well done, she seemed to touch upon all points and definitely studied the scene. She touched upon very specific points such as what the shadows on the face indicated, how the cuts were used and associated key p...
In Run Lola Run, In the opening scene of the movie there are some very interesting techniques used in order to get a certain reaction out of the viewer. directly after the credits the shot fades to a coo coo clock that is sped up, which is symboli...
Here's the general outline we did in class - Megin and Eugene feel free to elaborate.
Exposition: knock – Noah’s brother gives him a map (nametags) – then is taken away – fade – radio playing
Rising Action: clues that he’s being followed as he se...
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